Monday, 2 May 2016

Byzantine Klimt

Remember this? Layers of organza on a base of gold Thai silk, from a sleevless top I picked up in a charity shop years ago - saved until it was the right fabric - its day had come. The layers of organza, pared away with the soldering iron, were my introduction to the technique I used on my Anglo-Saxon cuff.


Well, I wondered about - the startling colour change is all to do with the light, not a profound change in the piece!

Byzantine

A mock up using a sketch app on the iPad. Mixing my media! The image, taken in a rather odd light, has been "drawn on" as well!

The blue framing fabric (another Thai silk blouse) was found in different charity shop to the source of the gold, and found after I'd been to Wendy's workshop. How awesome is that! The vivid blue picks up on the blue in the organza, the patterns are the same as the gold base fabric, but on a slightly different scale and can be arranged to echo the patterns in the centre. The fabric is identical in weave and texture. I can use the blue with a bright or dull side, which allows for more subtlety of tone. They can be arranged to echo the patterns in the centre and it allows me to create the illusion of dangling ornament, which echoes the Klimt inspiration


Lots more stitching and beading needed, but it suggests a way forward; definitely worth exploring

2 comments:

  1. Look firward to seeing how this progresses....love Klimt and your interpretation. Also love that you are seeing beasts and spirits in that piece of stitching on mine!

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    1. Hi Penny,
      I was looking at this yeasterday, when trying to create space in the "sewing room" (aka spare bedroom, aka OMG where shall i put this?). I must get some more stitching done so I can cmplete the borders and make it into something that isn't part of my large collection of UFOs!!!

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