However, the dye really was spent, and most of it washed out - very pretty, but definitely not vivid; more delicately faded.
Christine's mantra is, "you can always stick it in a bucket of black" so, treating this as a test piece, out came the plumbers pipe and string and a bit of "sort of" arashi shibori. I'm not sure if I can really call it this, since arashi normally involves wrapping the fabric diagonally along the length of the pole. In this case I've placed it so the centre of the piece is over the end of the pole, folded it carefully down the sides, then spiral bound with thread. Into the dye vat it went - a mixture of turquiose, a touch of royal blue and black. I had hoped that the plastic bag on the end, firmly tied and elastic banded, would work as a cap to preserve the yellow centre but I may not have tied it tightly enough because the dye managed to soak through.
This is where I got to with stage two - notice how much more of the first layer of colour washed out with this second process. An interesting pattern though, and I'm learning all the time, but the delicacy of the inital image has been lost, both because of the first colour fading and because the second process has produced a much more definite pattern
I thought this looked a bit neither one thing or the other, in fact, a bit "meh" as my daughter would say so, back in the soda solution and on to stage three, and a stage one for a second piece of sheet - just to use up the second batch of dye
More dye applied, this time freshly brewed - and then the wait .....
Well, vivid has returned, and I think has integrated the arashi pattern better, it has more balance now - and the second piece makes me think of summer sunbursts and ice cream - I rather like it, and can see where the binding, tight or loose, has affected the pattern of the dye - more white where it was tightly bound - more learning
but what on earth to do with them both now?
I'm off to Studio11 tomorrow, so a bit of show and tell discussion might help.