Last weekend I took them out, extracted the leaf prints and dyed the rest a gentle turquoise, some shibori'ed, some just dipped.
I dyed them in little batches, each of thirty minutes, then took out of the dye and plunged in a soda rich solution in another bucket.
Now cut into pieces of regular size and proportion, I've been hand stiching them together using the Jude method of (in my case) finger pressed paperless piecing. She has made a significant proportion of her early online classes available free. It was these that got me started, though I have changed her basic nine patch construction for something a bit more free form.
Influences paid homage to with this?
all women whose blogs I follow regularly and whose ideas I ponder on and absorb.
I am struck, as one can only be from personal experience, by the portability and ease with which this human powered assemblage of pieces can bring small scraps of fabric together into a larger whole. You can finger press seam allowances, stitch anywhere, become absorbed in the rhythm of the stitching, recognise a deep link with stitchers everywhere and at all times, that swish of thread through fabric, the shape and pattern found in stitching, the way the whole thing, because it's taking place slowly, allows for modification along the way.
Not quite complete yet, and pre proper pressing here. I have changed layout, orientation, combination of these bits of fabric as they have joined with one another and, because I'm working with regular blocks of 1,2,3 and 6 inches, I can chose to combine elements in various ways, which all build to a maximum 6 inch block. These are now being assembled into a larger whole, which will then get a border to frame. A twelve patch.
Then, of course, more stitch