Sampler finished

at last I've finished the first bit of the Branch stitch project. It really has taken far too long, in fact I see it was started in January this year, which is a little ridiculous! However, I've learnt a huge amount and have really enjoyed it. It looks a little darker here than in reality, but with dark fabric you have to trick the camera by taking the half depress to get the tones from somewhere else, at the same distance of course. In this case I focused on the carpet, which is a light beige, then moved the camera to take in the stitching

What have I learnt? That you need to use the right needle for the weight of thread, otherwise it doesn't pull through the fabric well and gets more wear, so doesn't last as long; that the shinier rayon threads have a tendency to untwist much more, so they squiggle and wiggle about while you are stitching, which can be very counter productive; that starting and finishing tidily is really helpful; that blanket stitch is far more versatile than I could have imagined; and finally, that I'm very glad I didn't get French Knots!!

I love these little knotted buttonhole stitches in the bottom right quadrant, and will use them in the next, pictorial bit of stitching, to evoke some flowers in a field

and of course how could one forget buttonhole stitch as used in Stumpwork? OK, I nearly did, but amended plans for the central circle to include a little setting sun of corded buttonhole, which I'm really pleased with.

All in all, a really interesting and enjoyable project with plenty learnt, not least the getnly art of finishing!! Hope you like it.

A Lull

I'm in the real doldrums at the moment with my stitching and textiles in general. I've nearly finished the first of my stitch pieces for the Guild, but just can't settle to finishing it.

I've still got my ordered squares of linen I took to Birmingham to work on, but have done very little since except stitch them all down to the background. I have a Studio11 session tomorrow, and am feeling all squirbled because I have done no preparation and have no idea what I'm going to do at all, except take pleasure in the space to just be and perhaps ponder. I will at least put some threads together for the linen squares and take my Guild piece to finish!

In part I think it's probably down to some health issues. For several years I've had an intermittent nagging pain in my midriff. Having had some keyhole surgery go disastrously wrong a while ago now, I'd always put it down to aftereffects from this - you don't want to see the scars, I look quilted!! Then, in the week before we went off to the Lakes it got considerably worse for a number of days; so much so that we wondered if we'd go at all, but it settled down to bearable. Since we got back I've been for an ultrasound scan, always a fascinating process, such magical technology. It turns out, I have gallstones! A veritable constellation of them in fact, so my good doctor and I decided today that it's time to sort it out. Expect an announcement of surgery sometime in the future. Hopefully this keyhole will go right ....

Meanwhile I've been reading some treasures. A friend recommended both authors, first Kathleen Dean Moore

Then Kathleen Jamie.

 

Both write wonderfully about being in nature, in very differing ways and in very different places. I've been struck as much by the contrasts as I have by the pleasure of reading. The first, who is American, writes from a philosopher's point of view, and the landscapes she describes could only be those of her homeland. There is a particular quality in what she describes and perhaps also in the way she writes that belongs there; a sense of largeness, openness. I found myself wondering whether growing up in a huge continent with such immense scale somehow evokes a similar expansion of thought and aspiration.

Kathleen Jamie is a Scots poet, and my near contemporary. She has a poet's feeling for language and for the landscape and at times touches on her own past in such a way that I can almost feel myself in the same place and time, so familiar it is. She however, had the courage to follow her ideals; I was never so brave. I have nearly finished the second book, Sightlines; Findings came first, both borrowed from work, and will feel a sense of missing an almost friend when I take them back. Her writing is intimate, her focus often close and with a sense of the deeply personal about it, you feel you have been offered precious bits of her life to share.

I'd recommend them both

A little bit of stitch

I seem to be taking a dreadfully long time with this. It's the Branch Stich Book and I have been neglecting it badly, busy with other things and with trying to maintain enough energy to actually get anything done at all! However, I'm back in touch with it again now - do you find that? You seem to miss some connection with what you're trying to do so it goes on the back burner for a while, though this really should have taken priority! My stitch is blanket stitch, it's a really nice opportunity to work with variations of one stitch, also to try out different threads from ones store. 

I've also jut done the first year's account balancing act as treasurer of our local branch. It doesn't need ot be in 'til next month, but The Lakes approach so I want to make sure all is good before we go away. 

Everything balanced, hurrah hurrah ..... I'm very pleased with myself

Starting and finishing

As these bits of embroidery should be seen from the back and the front, I have no muslin to hide threads behind. One way of doing this is with an "away knot"; you bring the thread through from front to back some distance (at least a needle's length) away from where you start, begin with a small back stitch to secure, then weave the waste thread in once you've finished. As this fabric has a good even weave, and is quite firm, I am lacing the tail end through the very top thread of the weave on the back, where it will be over stitched, then taking the securing stitch. It will save me time and the end result is the same.

Finishing off

The tacking thread shows me the perimeters of the space I'm filling in each quadrant. I've divided the space up in a similar way to some of the carpet pages in manuscripts like Kells and Lindisfarne. I'm quite nervous about all this, truth be told, there are so many fine needle women in the guild, who have been members for many years. I hope my stitching is up to scratch! There has been unpicking already!

Auditioning

I am away from work at the moment, on doctors orders. This gives me some time to nurse the daily hurts that come with having Fybromyalgia and a connective tissue disorder, which leave me feeling drained and exhausted. I don't talk about my health much here, it seems too much like an indulgence, and is only part of who I am. However, I reached a point where I simply had to stop. This allows me to do things at my own pace, to rest when I need to and to take a focused course of Ibuprofen to try and help my body to heal itself. I feel like a convalescent, but the positive side is that I have time to work on a stitch project our Branch Chairman has suggested, a sort of stitch dictionary. We chose two bits of fabric and a piece of folded paper on which was writ our stitch - in my case, blanket stitch. One is to work the stitch in as many variants as possible, using a variety of threads and pushing the stitch to see where it will go. The second bit of fabric is to create an image, using the threads and stitches.

The first task, of course, is to audition threads. I tried a varity, the brief being to use as many different weights and types of thread, and to push the stitch as far as it will go. There were a number that didn't work

This little twist of greens (from Cecil's stash), while full of lovely textures, moves the colour range too far away from "neutrals" which was the brief

likewise, the yellow/orange is, too far away from the initial range. 

So here is what I came up with

the darker piece of fabric will be my test bed, the rosy coloured one I'm keeping for the image. This is my excuse for moving the colours towards the rusty and ruddy, which blend with the darker fabric as well. I have a few ideas for an image, but nothing firm yet. I'm waiting to see what the stitch can do and what it says to me.