More sparkle

Well my first attempt at Or Nue is completed. I am pretty pleased with it, despite the slightly suggestive bulge at top left where I tacked down the thread on the back at an angle rather than across the back of the border threads - just don't think of Mick Jagger in tight trousers and you'll be fine!

It has now been tucked into a small box frame and sits on the good man's mantlepiece in his study where it catches the light coming through the bay windows and reminds him that I love him every day, not just on our anniversary. And yes, I did manage to get it finished for the special day and, yes, I did have enough of the gold thread to finish, so didn't have to investigate the scrambled muddle of "less gold" gold thread.

I really enjoyed stitching this, though I'd probably work any future projects in slightly slower time: all that peering through an illuminated magnifier and stitching for long periods resulted in a migraine and very stiff neck and shoulders once it was done. The combination of simple stitching with attention to the finer detail felt very mindful, and listening to my playlist of medieval music provided a lovely and appropriate background. However, enough stitching for now. I have returned to a knitting project that I started more than two years ago - remember that lovely Noro yarn? I lost confidence when I got to the sleeves; the increases in combination with a lace pattern, not something I've done before, so it got tucked away. But I needed something big for my eyes to focus on so out it has come again and I have promised a friend and fellow knitter that I will finish it in time for our next meeting for tea and cake, whenever Coronavirus allows.

I was right though, the increases on the sleeves are rather tricky, but I won't be beat this time!

A little bit of sparkle

The pleasure of watching Rachel's patient stitching on her Dreams of Amarna project has revived my interest in goldwork. She is now up to episode 7, so if you'd like to spend a gentle 20 minutes or so listening to her thoughts on embroidery and watching her design take shape you can find her here.

Yes, I do have far too many other projects on the go that need my attention - in fact an overwhelming amount, but I found myself going back to a deserted piece that was begun in a lovely workshop we had with Becky Hogg four years ago. I had abandoned it because it was not as well stitched as I would have liked, but when I got back to it I thought, "hmmmm, that's really not too bad" and having finished it I am rather happy with the result. You have to understand that this woodpecker has not preened his wing feathers recently, which is why they are a bit askew! He has also failed to peck the hole in his bit of tree trunk, I assume he is a lazy woodpecker! You can see how he really should look here.

Rachel's current project uses a technique called Or Nue, a very old technique using rich gold and silver threads couched down with fine silks to create pictures that glitter seductively in the light. Mary Corbet has a rather nice piece about it here. Rachel is using a spiral thread, where the gold begins at the heart of Akhenaten and spirals out from there. Having decided that I would really enjoy this meditative stitching, and having a wedding anniversary approaching, I thought I might devise my own, very simple design, and work it in time to give to my dear heart.

Spiraling looked a bit too scary, so I am running the gold thread from side to side on the fabric. This came from a rather louche bundle that was part of Cecil's stash - definitely not the way one should store goldwork supplies. This is the tidier bit, and I am hoping there will be enough because the untidy bit (for which read something that looks like a large bundle of knitting wool that a kitten has been over enthusiastic with) is a slightly different gold.

So, I set to yesterday with much enthusiasm and little understanding and have got this far by this morning.

I am using embroidery floss rather than silk, because my dry skin turns any length of flat silk thread into something resembling Gonk hair. The eagle eyed among you will notice my basic error; I am running the gold thread across in singles rather than in pairs. This means twice the stitching so it will go slowly; unhelpful since our anniversary is in three days time! It is only our second anniversary, though we have known each other 22 years now. Traditionally gifts are cotton, but I think the linen ground fabric is an acceptable substitute.

Wish me luck